#JustPaperAndInk – a pop up indie comics show

So, this happened earlier in the year… #JustPaperAndInk (article by Broken Frontier)

June through July (2023) to be precise.

Basically a small independent comics creator pop up exhibition curated by Sean Azzopardi of PhatComics and myself. And, I guess, sort of an extension of the discreet exhibition he had held at his former shared studio space, called, “Framed”. with some of the artists who had showcased their work there, also having work in this show.

The show ran for just over a month, we were based in a shop unit ran as “The Space”, a arts project ran by a local access to arts organisation and pop-up gallery team called Creat-Hive, and we were just a couple of doors along from Hull’s Forbidden Planet store in The Prospect Centre.

I got to spend my days during the show away from my usual working form home environment, and at my temporary drawing board in the gallery space itself which as always was both fun and eye opening. The show itself bookended around the Hull Comic Con weekend event too, which was great as we were able to promote that as part of our show (one of the original thoughts that had instigated our event to be fair).

I chatted to a lot of people over those few weeks, as we had over 700 people come in and engage with the work/exhibition (ie not including the people who came in looking for other things (shops, another gallery, etc) or who left once they realised it was about comics). Which is a fair amount of people. We got to chat to about #MakingComics, comics as a fairly democratised artform, and storytelling medium, and even got to discuss the possibility of further projects with other organisations in the city, and outside of it.

I cant thank enough those people who took time out of their schedules to come and chat, it was very much appreciated, so cheers… you know who you are.

We even did a radio spot with our local BBC Humberside comics fan Kofi.

The show itself was divided up into four main sections, the big noisy art at the front to draw people in (which seemed to work, cheers to Sean for providing those big fun colour pieces). Then we had a section showcasing the work of several “UK indie creators“, with which we added some hard copy examples of the books hung on the wall to show the work “in its natural environment” rather than a gallery wall (to paraphrase Crumb). And we made sure to show the creators SocMed links too, in the hope that even a couple of additional follower always helps, who knows?

Followed by two linked sections looking at Comics Made In Hull… which was a surprisingly big section, not only for the visitors, but for us as well. We even had someone come in on the first day and tell us that they made comics in Hull too. Which was great… Comics, the unseen communities, laughs.

…and finally Hull In Comics, a section that showed the city itself appearing as a character in some of that local work.

As part of the interpretation in the show, we added a number of text panels looking at other aspects around the world of making comics, so that it might be perhaps more accessible for those who had left comics behind some time ago, or just for those who had never ever really engaged with the medium.

In these sections we discussed the early history of the art form, how comics are seen in Europe by comparison to the UK & US, the balance of traditional and digital comics work currently being produced (and the threats posed by so called AI/Plagiarism Software), the use of comics in education, new voices, representation and the ever present dilemma of “But, Is it Art?”.

Amongst these we scattered a number of quotes by creators, critics and celebrated comics readers from within and outside the medium, who weren’t in the show, but who had discussed important aspects of comics and their value.

We also had a few books from our own collections to chat about and use as examples in discussion.

All in all it seemed pretty well received, and we have discussed holding onto the name of the show #JustPaperAndInk for further shows and exhibitions, workshops etc.

So I guess watch this space!

NB – I’ll consider this post a raw draft… I’m sure I have some better photos than this, I’ll replace them ASAP and delete this note.

Flintlock, wrapping things up.

So my run on Flintlock has come to a close. Working on the three book second half of the series from Timebomb Comics was a real joy, and really pushed me in terms of my art, and art choices. All in all a great experience and so cheers to Steve Tanner for trusting me with his baby (trying to fill the shoes of book 1-3 Artist Anthony Summey was no mean task either).

This last book, was an extra special outing for me as I got, not only to contribute interior art, but to paint the cover for Flintlock, Book 6.

I’m going to miss it, and I though I thought this might be the last time I’d be tackling horses in a while, it’s not, so hopefully the groundwork I did across these three books puts me in good stead, laughs (it seems that when fate takes away horses with one hand, it may well deal you centaurs with the other).

The image below (low res version used here) was used in the Kickstarter as a Print/reward, it was fun to collate a range of the type of imagery I got to draw into one “movie poster” image.

Steve and Timebomb have also produced a beautiful slipcase-like box to house all your copies of the book now too, just in case you wanted your collection to really stand out. And check out their new project Quantum (article from DiwnTheTubes.net), hitting newsstands and news magazine outlets soon.

A Mystery Comics Project.

I recently received a delivery of the print version of #TheMysteryOfTheWhirlyGig #comic I made for @BarnsleyMuseums during the lockdown summer of 2020 – a project that started out as a digital #interactivecomic to help those families who wished to still participate with the Elsecar Museum activities during lockdown and now continues as part of a full activity/educational pack sent out to similar families, so cheers to Sarah Taylor (thanks also to @HotMetalPress for a great print job) #comics #museums #education #elsecar
#CCSubtitles to the following video are available on YouTube.


The comic in both its internet experience and print versions includes not only the original ten part, 30+ page comics narrative, but also features puzzles and board game style interactive elements in which the reader/players can decide the routes the protagonists take as they move around in time and around the old site on which the Elsecar Heritage Centre us based. There are also “how to…” pages that look at making comics, board games, and how to make the principle object in the story in card, craft and making being an element that features heavily in the story for some of the characters. There was also the use of QR codes which where integrated into images of the technology the protagonists where using, but still allowed the reader to use a QR code reader to add an extra dimension including further historical information, read-along videos with staff, reenactment videos with actors in historical dress and even a “how to cook period food video”.

All in all, a challenging but great little comics project to work on.

The images above where some of the early character tests for the project, from which our protagonists where selected by a panel of young museum goers. One of the villains at the bottom even got to appear as cutout figures as part of an “Easter egg” hunt of sorts around the heritage centre itself.

…and this was the gang they selected and so our main protagonists.

Here you can see one of the devices I used to help convey Harry (a BSL, British Sign Language user)’s use of sign language. i.e a graphic of two hands making the sign for “sign language” attached to the “speech” balloon, the tail of which always points in his case, to his hands rather than his mouth.

Joe Hakim’s Culture Show appearance with Sean Azzopardi – 06/02/2020


Had fun the other night chatting on Joe Hakim’s Culture Show on BBC Radio Humberside.

Joe invited Sean Azzopardi and myself onto the show to talk about comics.

Joe’s a great host and as he’s a fan of comics he asks insightful questions. We covered a range of comics related topics from the general attitude to comics in the UK and the US versus other parts of the world, the kind of work we find ourselves doing in comics and some process stuff, as well as some specific projects like Sean’s Sea Shepherd project, and my work so far on Pat Mill’s Space Warp.

Plus we mentioned that we’d decided to figure out what Hull has in terms of a local comics creating scene by setting up a Comics, Drink ‘n’ Draw night.


Over the last year Sean and I have been tabling together locally at some of the Indie and Craft markets since he moved up from London. It’s been interesting, as despite us both doing comics, our work is very different. Sean’s work is predominantly autobiographical work, whereas mine is… well, y‘know, monsters and occult detective stuff. Regardless it’s been great being able to hang out and chat to another comics creator, meet up for a cuppa, discuss work (and 70’s rock, laughs) and even pop over to hang out at his studio in Old Town (at HUB-A) every now and again.


It was with that social aspect for comics creators in mind (let’s face it, a lot of us spend most of our time on our own at the drawing board working late into the night/morning) that we began discussing ways to encourage more local comics people come out into the light to talk to each other. And with that Hull Independent Comics Creatives (HICC) was born. It has its own Twitter feed now >HERE<, and we were promoting the idea by putting a HICC label on our respective local comic event stands. It may well be revived or reincarnated in another form at some point. All of which then led into us trying out the idea of the Hull Comics Drink and Draw event at one of old town’s arts friendly bars, The Brain Jar. We’ll see how that goes I guess.

Anyway, you should go check out Sean’s work over at his PhatComics website or on Twitter @seanazz. He has an exhibition of his Sea Shepherd work running over the next couple of months (Feb – April), Sea Shepherd @ ArtLink and a bunch of great books to check out over at his online store.

If you like those, go check out Sean’s Patreon too.

You can also find a link to Joe’s Radio show >HERE<, and his Twitter feed @joehakim

Digital Debut – The Cthulhiad/Severed Head Cult

So, one of the big plans for this year (2019) is to get things in place to allow more readers access to the comic books and art I make, and have been making over the last few years. As part of that I’ve put one of the early books on the digital comics portal Comichaus.

The Cthulhiad - SeveredHeadCult - p16

Severed Head Cult sees Harry, one of The Cthulhiad’s primary protagonists, in a flashback to Copenhagen, on the hunt for one of his colleagues and the creature that they were both tracking. It’s a horror/mystery comic about Occult Detectives/Monster Hunters pulling together the threads of several mysteries that seem to point to a cataclysmic event on the horizon, meanwhile, elsewhere in the UK a Police Detective working with a specials crimes unit has had Harry pop up on his radar in conjunction with some threads of his own.

To celebrate going digital, I added a reworked cover (below) using some of the interior art and adding (for the first time) a little colour.

34CCBA0A-BB5C-43C9-8FD8-07B47A5BF9A3

I hope to get the other books up on Comichaus soon whilst working on the new books (and other as yet unannounced comics projects) this year.

Meanwhile you can find a review of the book over on the Comichaus site – HERE

The Cthulhiad is an ongoing book series Volume 1 of which should culminate with the completion of the next two books, Theogony (The Lance, Book 3) and Voices (a working title). The whole series weighs in at around 300 pages to date, and there is still plenty of story to tell.

Keep up to speed with stuff I’m working on by following me on Twitter @hesir, and Instagram @AKAhesir